The Trademark Games: When Should Athletes Start Playing?

By: Alexander Tranquil

In the early 2000s, it felt like personal trademarks in athletics were reserved for the select few that attained superstardom. With distinguished names like LeBron James, Tiger Woods, Roger Federer, and Cristiano Ronaldo coming to mind, possessing a personal trademark meant that an athlete had reached the pinnacle of their sport. However, this yardstick of athletic success appears to be shifting with the advent of name, image, and likeness (NIL) rights in college athletics. In the now-famous NCAA v. Alston decision, the Supreme Court found that the denial of education-related benefits for student-athletes violated federal antitrust laws, paving the way for athletes to profit off their NIL rights through endorsements, merchandising, and licensing deals. With some college athletes now making millions of dollars a year through NIL, several have taken the leap into branding by registering trademarks with the United States Patent and Trademark Office (USPTO). Currently, the bulk of these trademark applications are filed by colleges’ top NIL earners, but this raises the question: should less-famous athletes follow their lead, making ownership of trademarks the new norm in college sports?

Ultimately, registering a trademark with the USPTO represents an additional or auxiliary protection for athletes looking to profit off their NIL rights. In every U.S. state, an athlete’s NIL rights are already protected under state right of publicity laws or, if unavailable, the common law tort of appropriation. While these existing protections may vary in scope, both the right of publicity and the tort of appropriation provide financial remedies to individuals when their name, image, identity, or likeness is used without permission for commercial benefit. For college athletes looking to leverage their fame into new NIL deals, legal protection over their identity is critical. Ultimately, these existing protections allow them to control where and how their likeness is used, protecting their NIL profits by preventing false endorsement, advertisement, and sponsorship. Ever wonder why EA Sports had to stop making their popular NCAA sports games? Under the right of publicity, courts found that EA Sports alluded to college athletes in the game, failing to sufficiently transform the players’ identities

In this way, trademark law and existing right of publicity laws protect against the same wrong: infringing use. Like the right of publicity protects against unauthorized uses of an individual’s NIL, a trademark protects any word, phrase, or symbol that a party uses to identify their products. When an athlete registers a trademark with the USPTO, it grants them nationwide ownership rights over the mark, providing consistent legal protection in every U.S. state against unauthorized uses of the mark by third parties. But since the focus of athletics is on the athletes themselves, many personal trademarks concentrate on the athlete’s name, signature, personal logo, or catchphrase. Inherently then, personal trademarks, like the right of publicity, protect name, image, and likeness rights in the commercial sphere. For example, former Heisman Trophy-winning quarterback Johnny Manziel was able to secure a settlement by raising both trademark infringement and right of publicity claims against an infringing party selling “Johnny Football” labeled merchandise.

While Johnny Football may have had the means and motivation to apply for a trademark, still, filing a trademark may not be practical for all college athletes. Specifically, seeking trademark protection requires a party to apply, register, and maintain their registration with the USPTO. This can be both a costly and labor-intensive process. Not only must an applicant show that their mark is distinct from other registered trademarks, but, before registration, they must establish use in commerce. This requires the applicant to adopt a proactive, business-minded strategy, showing that their mark has been actively used in connection with the sale of a good or service. Further, between application and attorney’s fees, athletes can expect to pay anywhere between $1,500 – $4,000 to register a trademark. Although not terrifically expensive, this is not a drop in the bucket for most college athletes, especially if, like Paige Bueckers or Olivia Dunne, your trademark eventually gets denied by the USPTO. 

Furthermore, assuming an athlete can obtain a trademark, they may be frustrated with the scope of its protections. Overall, trademark law is constrained by the likelihood of confusion doctrine. This doctrine requires the plaintiff to not only show that consumers are likely to associate an infringing mark with the plaintiff’s trademark, but also demonstrate that the infringing product is sufficiently related to the plaintiff’s to induce confusion. In contrast, the right of publicity offers a far broader scope of protection. For example, in White v. Samsung, Vanna White, the famous hostess of “Wheel of Fortune,” prevailed on a right of publicity claim after Samsung ran a commercial featuring a robotic replica of her turning letters on a TV set. Here, no infringing trademark was used, however, the Ninth Circuit found that the right of publicity “does not require that appropriations of identity be accomplished through [any] particular means,” thus widening the scope of identity misuse to include the commercial use of another’s likeness. In fact, some critics now argue that the rights afforded under the right of publicity have “swelled [] to the point [that] virtually any reference to an individual that brings financial benefit to someone else qualifies as a violation of the right of publicity.

So, with these shortcomings of trademark law, why then are trademarks attractive to athletes? Because they have the opportunity to build a brand. Trademarks identify the source of a product, and, therefore, an athlete’s mark can quickly draw attention from fans that want to be associated with a particular player. In this way, personal trademarks engage the public, facilitating future marketing opportunities, maximizing NIL profits, and promoting the sequential growth of an athlete’s brand. With every athlete’s dream of becoming the next Michael Jordan with his immortal Jumpman logo, ultimately, trademarks allow an athlete to cultivate an image and develop their own unique identity. Recently, we have seen Shedeur Sanders roll out apparel featuring his signature ‘dollar-sign squared’ mark that, at least in part, allowed him to gain a strong following and led him to be the first college football player endorsed by Nike
Still, Sanders’s success and his designation as the top NIL earner highlights the trademark dilemma: balancing the pros and cons of trademark protection often hinges on an athlete’s popularity and their following. Overall, athletes should consider filing a trademark application when their names start to take public recognition. At this point, the potential for significant brand growth provided by a trademark is likely to offset the potential headaches of developing a business strategy and registering a trademark. Unfortunately, for the many college athletes that are not top NIL earners, the limited benefits may not justify the time, effort, and costs associated with pursuing trademark protections.

Return of the Pac

By: Dustin Lennon-Jones

Driven by the ever-expanding pile of cash available in college football, the departure of USC and UCLA to the Big Ten in June of 2022 began a cascade of moves that has pushed the Pac-12 to the brink of extinction. The remaining members, Washington State and Oregon State, were left in the dust. With no clear path forward, the so-called “Pac-2” were left scrambling to put together a football schedule and begin rebuilding the conference.

The Scheduling Agreement

To fill out their football schedule for at least 2024, WSU and OSU entered into an agreement with the 12-member Mountain West Conference (MWC). Under the agreement, each school would play 6 games against MWC members. In exchange, the Pac-12 schools would pay the MWC $14 million: $9 million in football participation fees, $3 million in “general participation fees,” and $2 million in compensation for “scheduling and administrative services.” In recognition of the mass exodus of schools from the Pac-12, the MWC also sought to protect itself from a similar fate. Included in the agreement were “termination fees.” If the Pac-12 decides to add a MWC member anytime before the end of the agreement, the Pac-12 would be required to pay an escalating fee, ranging from $10 million for one school up to $137.5 million for 11 schools. This is on top of the exit fees paid by the departing school to the conference, set at $17 million per school. Notably, if the Pac-12 decided to add all 12 schools and effectively merge with the MWC, there is no fee requirement.

FBS Eligibility Requires the Addition of New Members

The Football Bowl Subdivision (FBS) is the top level of college football, containing historically the strongest teams and conferences. However, NCAA bylaws require that conferences have 8 members to be eligible to compete, a number which the Pac-12 falls well short of. The good news for the Pac-12 is that there is a 2-year grace period from when a conference drops below 8 members to keep its existence. That would give them until August 2026 to find a permanent solution. On September 12th, the Pac-12 announced 4 new members, all from the MWC: Boise State University (Boise St.), Colorado State University (CSU), California State University-Fresno (Fresno St.), and San Diego State University (SDSU). Shortly thereafter on September 24th, it was announced that Utah State University (USU) would also be joining the Pac-12 from the MWC.

The Lawsuit

Following the September 12th announcement, Gloria Nevarez, the commissioner of the MWC, sent a letter to the Pac-12 informing them that under the scheduling agreement, the MWC was entitled to collect $43 million in termination fees as a result of the departure of Boise St., CSU, Fresno St., and SDSU. Including USU brings the total to $55 million. The Pac-12 unsurprisingly takes a different view on the matter. Teresa Gould, commissioner of the Pac-12, responded in a letter to Nevarez stating that the fees were unlawful, and they would be filing a complaint in court seeking judgment declaring the provisions unenforceable. The Pac-12 labels the fees “poaching fees,” and requests that they be invalidated as a violation of the Sherman Antitrust Act, California’s Cartwright Act and Unfair Competition Law, and as an unenforceable penalty under the principles of contract law. 

The complaint also tells a much different story on the events leading to the signing of the scheduling agreement. In the immediate aftermath of the departure of nearly the entire conference, the Pac-12 was in a vulnerable position. They accuse the MWC of taking advantage of this lack of leverage, charging “exorbitant” fees for the 2024 schedule and forcing them to accept an “unprecedented poaching penalty.” Since the penalty provision remains in effect for 2 years after the termination of the agreement, the Pac-12 argues that this unfairly inhibits their ability to compete with the MWC and reduces their members’ options for mobility. 

The unfairness is further exacerbated due to the fact that this restraint only applies to the Pac-12 and the two conferences geographic proximity makes them the most logical competitors for schools in the region. The penalty thus functions the same as no-poach, no-hire, and non-solicitation agreements that have already been declared unlawful in California (where the suit was filed) and around the country. In addition to an unfair restraint on competition, the Pac-12 highlights the fact that the MWC will already be collecting exit fees from the departing schools. This makes the penalty to be paid by the Pac-12 “duplicative” and “unnecessary,” further demonstrating the fact that it does not serve to compensate the MWC for losing members but to restrain the Pac-12’s ability to compete.   

Why Not Merge: The Importance of Being An “Autonomous Conference”

If the scheduling agreement would allow the Pac-12 to add the entire MWC without penalty, why wouldn’t they? It would appear that this would take care of both the penalty problem and the NCAA eligibility problem. The importance of being a “power conference” and the benefits that come with mean that this solution is not as elegant as it may seem.  When the College Football Playoff (CFP) originally expanded from 4 teams to 12, the format granted automatic qualification to the champions of the “Power 5” conferences: the SEC, Big Ten, Big 12, ACC, and Pac 12. These conferences also receive larger shares of the revenue generated by the CFP. The collapse of the Pac-12 led to them losing their “power” status and consequently their automatic qualification and increased revenue share. Adding new teams from the MWC is certainly the first step towards regaining this status, but there is still a long way to go. As is the trend in college athletics, money talks. The lowest Power 5 TV deal paid around $17 million per school, while the MWC’s TV deal paid just $4 million per school. This is likely the motivation behind the Pac-12 being selective in who it chooses. Merging with the MWC is simply not a step towards regaining its relevance as a power conference.

What’s Next

As we await an answer from the MWC, the future of the Pac-12 is still very much up in the air. While adding additional members is a foregone conclusion, which teams they may target remains uncertain. A loss in their lawsuit may mean that adding more teams from the MWC will be prohibitively expensive. Conference realignment will continue to have domino effects on conferences across the country as the MWC will look to replace its departing members. One thing is certain: the college football landscape has been changed, permanently.

#PAC12, #collegefootball, #antitrust

Why Regulating Public Access to Facial Recognition Technology Matters

By: Selena Liu

History of Facial Recognition Technology: The Very Beginning

Facial recognition technology has been in development since the 1960s, and initially, this technology was very manually intensive. In the 1990s, facial recognition underwent a significant revolution and expanded to data sets such as the Face Recognition Technology (FERET) database. FERET was completed in 1998 after the U.S. Department of Defense invested over $6.5 million. The database consisted of 14,126 facial images of 1199 individuals captured between 1993 and 1996 with their consent.

After FERET’s launch, many more datasets and evaluations, such as Face Recognition Vendor Tests, were developed to provide law enforcement agencies and the U.S. government with the information necessary to utilize facial recognition technology effectively. However, datasets such as Labeled Faces in the Wild began collecting facial photos from the internet in 2007, bringing into question issues of privacy and consent. Subsequently, databases and datasets, such as Clearview AI, were created for law enforcement with over 3 billion images to help solve cases involving shoplifting, identity theft, credit card fraud, murder, and child sexual exploitation

Potential Downsides to Facial Recognition Technology and Policy Reactions

There are potential downsides associated with the increased utilization of facial recognition technology by law enforcement. These include serious privacy invasions, and differential error rates by race and gender. The latter is particularly harmful, as certain groups are more likely to be falsely accused or criminally charged.

Recognizing the potential for vast privacy abuses, San Francisco’s legislature voted to ban city agencies from using the technology in 2019. Around two dozen cities in the U.S. have followed suit. Federally, bills in Congress were introduced in 2022 and 2023 to limit law enforcement use of facial recognition technologies, impose restrictions on federal, state, and local government entities, and ban the TSA from using these technologies.

New Frontier in Facial Recognition Technology: Public Access 

However, there is a new development regarding who gets access to facial recognition technology. Publicly accessible websites, such as PimEyes and Facecheck.id allow any member of the public to upload an image of someone. For a fee, anyone can access a grid of photos that are deemed to contain faces similar to the image that they upload, with links to where those images appear on the internet. Although the owner of PimEyes claims that users are supposed to only search for their faces, or the faces of those who have consented, there are no controls in place to prevent people from searching for the faces of strangers, or those of people who have not consented. 

Potential Regulations to Public Access to Facial Recognition Technology and Why Does it Matter?

Advances in facial recognition technology have outpaced laws governing its use, as bans, limitations, and proposed legislation found online are targeted toward government entities and law enforcement. Although there is progress in limiting its usage in various states, none of the current state laws address members of the public using websites such as PimEyes or Facecheck.id to identify other members of the public using merely a photo. Recently, a class action lawsuit was filed in Illinois, alleging that several facial recognition companies, including Pimeyes, violated the Illinois Biometric Information Privacy Act (BIPA). They specifically allege violations of BIPA’s requirements for informed written consent before collecting data such as facial photos. This could be a possible legal blueprint to require all publicly available facial recognition websites to obtain informed written consent from individuals before those websites can use their internet photos. 

Though publicly available facial recognition websites do not include photos from social media websites such as Facebook, the lack of restrictions against these facial recognition websites could lead to severe ramifications. Any individual could potentially find out who someone is by merely taking a photo of their face while walking on the street. It is increasingly likely in this day and age that the average person has at least one picture of themselves on the internet through being at a public event or having a professional headshot published on their workplace website. As of December 2022, only 14 percent of adults in the U.S. stated that there are no photos of themselves online. 

As facial recognition technology continues to progress, the amount of photographs in datasets rises. This allows many more members of the public to access data that could help them with stalking, doxing, and finding explicit photos of minors. Despite claims from PimEyes and Facecheck.id that they allow users to request removal of their photos, such removal requests do not extend to the third-party websites hosting those photos. Even if removal requests are complied with, it is unclear how many people are aware of this option as it is not widely advertised. Therefore, it could be almost impossible for anyone to fully control where their images can be used or prevent stalking.  

Conclusion

Facial recognition technology is a powerful tool that could be used by law enforcement and government entities to solve cases. However, it is also ripe for privacy abuse, consent issues, and misidentifications. As facial recognition technology becomes publicly available, a whole host of additional problems, such as increased ease of stalking and doxing, are becoming more prevalent. However, the law has not been keeping up with addressing these issues. 

To combat the problems around public access to facial recognition, states and the federal government must develop laws similar to Illinois’ BIPA and robust enforcement mechanisms. Websites must be deterred from becoming so accessible to the general public or using photos without informed written consent. Facial recognition technology will inevitably continue to revolutionize. Minimizing public access by addressing the legal gaps in laws regulating this technology is one of many keys to its continued potential as a public safety tool. 

#WJLTA #privacy #facialrecognition #technology

Navigating Piracy in the Streaming Era

By: Jack Dorsey

The arrival of internet streaming revolutionized consumers’ access to their favorite shows, movies, and music. It also significantly impacted physical media, media rentals, and  traditional cable subscriptions. In response, traditional broadcasters and nontraditional media companies like Amazon entered the streaming space. Each offered affordable and typically ad-free experiences that made access to a consumer’s preferred content affordable, accessible, and convenient. Whether it was movies, TV shows, music, or live sports there was something out there for most people. These streaming services also reversed the trend of internet piracy. 

In the early 2000’s, internet piracy was facilitated by websites like Napster and Limewire, which enabled internet users to conveniently download free music illegally, causing a sharp decline in music sales. Music sales peaked at over $25 billion in 1999 but were then halved over the next fourteen years due to piracy. However, the emergence of streaming services like Spotify and Apple Music helped stabilize this decline. Between 2022 and 2023, recorded music revenue rose 10.2% year over year, bringing the industry total to $28 billion dollars, with streaming subscriptions now exceeding 500 million globally. Despite this, music piracy remains a problem as traffic to music piracy websites increased by 13% in 2023.

While the TV and movie industries have experienced less dramatic shifts in revenue, streaming options also had an initially positive impact combating online piracy. A report released by the European Intellectual Property Office indicated that between 2017 and March of 2021, the European Union and its member states saw an overall decrease in internet piracy across the board. However, that trend reversed in 2022, primarily driven by illegal streaming and download of TV shows which rose 14% between 2017 and 2022. While there is not a clear explanation of this trend, theories span from the Covid-19 pandemic (studios debuting new shows and movies straight to their respective platforms, enabling easy upload to the wider internet), to inflation, and to the number of subscriptions required to access relevant content.

Online sentiment seems to indicate that people’s willingness to pirate content is driven in part by an increasingly crowded and expensive streaming space that has begun to deliver a lower quality product and user experience. For example, many people find themselves needing multiple subscriptions to keep up with the content they want to see. A Dr. Who fan living in the United States would need several subscriptions to watch the entirety of the series. Similarly, a fan of the NFL who wants to watch every game would need six different subscriptions to do so. Moreover, platforms like Disney+, Netflix, and Paramount + have all incrementally increased their subscription prices in recent years and introduced cheaper subscription tiers with advertisements.
As the tide of piracy continues to erode the revenue of the entertainment industry, some businesses have pursued legal action against internet service providers (ISPs). In February of 2024, fifty music labels sued the ISP Cox Communications in one of the largest ever intellectual property lawsuits. The labels argue that Cox should be held liable for online piracy committed by its customers, and they claim that by continuing to provide service to repeat infringers, Cox enabled and profited from the illegal downloading of music. The 4th Circuit Court of Appeals agreed that Cox had aided in the infringement by not addressing piracy by its customers, but ordered a new trial to reassess the damages awarded. In response, Cox has petitioned the Supreme Court, arguing that the case is part of a broader trend of lawsuits targeting ISPs. Cox claims that without intervention, such legal actions could threaten internet access for all users. While the outcome remains uncertain, if piracy continues to harm media companies’ profits then legal pressure on ISPs is likely to grow, leading to more lawsuits in the future.

Stolen Threads: Intellectual Property and Cultural Appropriation in the Fashion Industry

By: Nayomi Mendez Andrade 

Fashion designers are creators of apparel, footwear, and accessories. Historically, designers have used style cues, designs, and patterns from cultures that are not their own to create their work. This use has often been masked and justified by being labeled as inspiration. However, designers are “more than simply drawing inspiration; designers . . . have long mined from minority groups, adopting their underrepresented craftwork or techniques before passing them off as their own.” Minority and Indigenous communities remain vulnerable to the exploitation of their cultural designs without the proper acknowledgment or compensation because there are limited legal protections for them. 

What is Cultural Appropriation?

Patti T. Lenard and Peter Balint define cultural appropriation as a dominant group taking a valuable element from another culture for personal use, without consent and with a reasonable expectation that such taking will be objectionable. Sally E. Mary specifies that a valuable element of another culture includes “artistic, musical, and knowledge productions.”

The Legal Implications of Cultural Appropriation

Intellectual Property (IP) law is a common legal framework utilized to challenge cultural appropriation within the fashion industry. IP encompasses creations of the mind, which include symbols, names and images in commerce, literary and artistic works, and designs. These creations and inventions are legally protected by Trademarks, Copyrights, and Patents. IP protections offer individuals the opportunity to be recognized for their work or financially benefit from their inventions or creations. 

IP laws fail to protect against cultural appropriation because they typically “exclude traditional cultural expressions from protection.” A prevalent reason why IP law fails to protect against cultural appropriation is because IP laws only accord “exclusive rights to the creators or inventors” of a work. The issue is that the argument against cultural appropriation focuses on the ownership rights of an entire group who may not have directly contributed to the creation of the work. Since no specific creator can be identified, these cultural expressions do not fall within IP protections. 

For most, obtaining copyright protections is not difficult. However, it is nearly impossible for cultural groups to obtain copyright protections for their expressions. To obtain a copyright, there must be (1) a work of authorship, (2) originality, (3) and the work “must be fixed in a tangible medium of expression.” Originality requires that the work be original. Thus, if the work is a copy of an earlier work, then it is not eligible for copyright protection because it is not original. Since cultural works are generally passed down through generations and replicated, they rarely meet the originality requirement. 

Patent law specifically fails to protect groups from cultural appropriation because an invention must be novel to qualify for a patent. To qualify as novel, an invention must not have been known or used by others in the US, nor should it have been patented or described in a publication either in the US or internationally. Cultural designs, however, are often passed down from generation to generation. This makes it difficult for cultural works to meet the novelty requirement for patentability.

While trademark law provides protections for certain symbols or designs, it also falls short of protecting against cultural appropriation. For a symbol or design to qualify as a trademark, it must be used in commerce at the time of application, or the applicant must make a good-faith showing that it will be used in the stream of commerce at a future point in time. The issue here is that cultural designs and symbols are not created with the intent to be used for commerce, but to express spiritual or cultural significance.

A Global Attempt to Mitigate the Issue 

Some Countries have created heritage laws to protect cultural symbols and to mitigate cultural appropriation in the fashion industry. Mexico has been proactive in addressing cultural appropriation in the fashion industry, specifically with regard to the misuse of Indigenous designs. 

In 2021, Mexico’s Minister of Culture, Alejandra Frausto rightfully accused international fashion brands such as Zara, Patowl, and Anthropologie of cultural appropriation. Ms. Frausto claimed that these three brands had benefited from using indigenous patterns in their designs without compensating the communities. Ms. Frausto went on to demand an explanation from the three companies for using the Indigenous designs, claiming that the cultural elements were considered “collective property” of the communities. Ms. Frausto added that any commercial use should involve compensation and collaboration with the communities. 

In 2022, Mexico passed a law prohibiting and criminalizing the unauthorized use of Indigenous and Afro-Mexican cultural expressions. Mexico’s law is designed to protect the Intellectual Property rights of its people. The issue here is that Mexico’s law has no reach outside of its borders because when a country enacts a law, it is usually only applicable to the actions that take place within the geographic region of that country. 

Mexico has set a strong example of how governments can empower communities by ensuring they maintain control over their heritage. Similar protections could be introduced in the U.S. by establishing legislation that recognizes cultural symbols and traditional designs as collective IP. U.S. IP law falls short of safeguarding cultural groups from appropriation. This gap in U.S. IP law leaves minority and Indigenous communities vulnerable to the uncredited and uncompensated use of their cultural heritage by the fashion industry.

#culturalappropriation #intellectualproperty #Mexico #fashionlaw