By: Simrit Hans
The Egyptian government’s recent threat to sue the British auction house, Christie’s, for the return of an ancient sculpture encapsulates a familiar narrative regarding cultural property’s state of chaotic displacement. The argument on one side is that cultural items have been looted, improperly exported, and ought to be returned. The other side, however, argues that these demands for return are often built on ethical or political grounds rather than legal ones and are unreasonable because of the passage of time and difficulties tracing ancient art’s provenance.
By: Alex Nelson

By: Matthew Jurgensmeier