Fair Use

YouTube’s Content ID Policy Change Now Saves Lost Monetization for Fair Use Videos

/ Washington Journal of Law, Technology & Arts / 1 Comment

youtube-cashBy Dan Goodman

As the late Notorious B.I.G. said, “Mo Money, Mo Problems.” Whether you believe that statement or not, it is certainly, and thankfully, becoming less true the world of monetizing videos on YouTube through fair use.

The issue of fair use in regard to Content ID claims and Digital Millennial Copyright Act (“DMCA”) takedown notices continues to be a hot topic in the world of YouTube. Most recently demonstrated in Lenz v. Universal Music Corp., the Ninth Circuit held that copyright holders must consider fair use and have a subjective belief that the material in use was in violation of copyright law before sending a takedown notice.

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Screenshot Through The Heart, And Richard Prince’s To Blame

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Rasta.jpgBy Gwen Wei

Earlier this year, three artists separately sued appropriation careerist Richard Prince for copyright infringement. The works in question? Photographs with valid and registered copyrights—each framed in an Instagram screenshot by Prince.

Sound familiar? The incidents seem to be an ugly throwback to 2015, when Prince took screenshots of multiple photographs from the Instagram account of pin-up brand Suicide Girls, printed them, and sold each print for $90,000. But none of this is new ground for Prince. Such incidents define his forty-year career: rephotographing the photos of others, reprinting J. D. Salinger’s The Catcher in the Rye with his own name substituted for the author’s, or writing out lines out of joke books for display at art galleries.

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Fair Use: YouTubers Claim Copyright Infringement Lawsuit Against Them is a Goof

/ Washington Journal of Law, Technology & Arts / 1 Comment

KleinsBy Jeff Bess

YouTube has come a long way in the decade since its founding as the Internet’s hub for one-off viral clips and cat videos. As of last month, YouTube reported that it reaches more viewers in the coveted 18-49 age group during primetime than the top ten TV shows combined. This is due in large part to the vibrant community of original content creators – some of whom individually drive enough traffic to make themselves millionaires – that host and share their videos on YouTube’s platform.

YouTube’s explosive growth as commercial and expressive medium has naturally brought with it a greater likelihood of legal disputes, particularly with respect to copyrights. Take for instance popular YouTubers Ethan and Hila Klein, the couple behind the comedy channel H3H3 Productions. They have built a following of nearly two million subscribers by making videos commenting on and making fun of other YouTubers’ videos. Continue reading →

Can the Creator of an Unauthorized “Fair Use” Work Claim Copyright Protection?

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ObamaaaaaBy Chike Eze

The Copyright Act balances granting exclusive rights to copyright owners on the one hand, and limiting those rights through several exceptions, including “fair use,” on the other. A creator of an unauthorized derivative work may escape a copyright infringement claim by successfully asserting a defense of “fair use.” However, the question is whether the creator may also claim copyright protection for the unauthorized derivative work.

The Second Circuit Court of Appeals answered this question in the affirmative. In Keeling v. Hars, the Second Circuit Court interpreted Section 103 of the Copyright Act to determine whether an unauthorized work, within the bounds of fair use, may itself be protected by copyright. The Keeling court held that copyright law provides that an unauthorized but lawful “fair use work may itself merit copyright protection.”

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Where Will the Purple Rain Fall?

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Prince 2

By Kelsey O’Neal

Prince will remain one of the greatest musicians in American history; he prolifically produced music since 1978 and sold approximately 36 million albums. He was also one of a few musicians who owned his own master recordings. This ownership did not come easily, but resulted from a copyright war he engaged in with Warner Bros in the 1990’s. As a form of protest against the recording company and to gain control of his masters from the recording studio, the artist changed his name to an unpronounceable “Love Symbol” and even appeared on stage with the word “slave” emblazoned on his forehead. His battle with Warner stemmed, mostly, from his desire to release more music than the label was willing to sponsor.

More recently, Prince struggled with how easily consumers could access his music in the digital era. Many recall that he sued a woman for posting a video of her daughter dancing to “Let’s Go Crazy,” one of his iconic pop songs, on YouTube. Prince sent a Digital Millennium Copyright Act (DMCA) takedown notice to YouTube, which led the woman to sue, claiming her upload constituted fair use of the song. Continue reading →